scenes of murder and holy manipulation, but it takes a long time to get anywhere of note in the picture. Director Robert Hartford-Davis and The murder of the prostitute (Terry Quinlan) in toned down in the Derann version (she's beaten around the head off-screen). The BBC version however includes some nasty shots of Kenny ramming his torch into the girl's mouth. Her death from being beaten around the head is no longer shown totally off-screen in the BBC version either. The last difference is to the 'meat-hook scene' where one of Kenny's victims (Suzanna East) initially drowned is discovered hanging on a meat hook. Both versions play the discovery slightly different, the Derann version includes a brief shot of the girl on the meat hook as well as a second shot that zooms in on the dead girls face. The BBC version begins with an additional long shot of the dead girl, and ends on a second shot, that's actually the first shot we see of the body in the Derann version but is more drawn out. The zoom shot from the Derann version isn't included in the BBC version. of the churchgoers. While there's no choreography, Hartford-Davis stages the moment like a musical number, cutting between the performance in the Birdy (Ann Todd) is a widow who's granted access to the Brethren, an Evangelical cult, to build a church inside her house. She's a devout believer, a

The version broadcast on the BBC (22.09.01) is uncensored and thus different to the cut version that played British cinemas (in 1971) and the identical Derann tape release that appeared in 1981. It's that old nutshell of the mother love plot mixed with religious extremism and a ton of symbolism with something to offend the few people who will probably see this film. we open with a church service and a very upbeat Christian song that sounds like it could make the pop charts, and then we see the son of the church's organist going out and killing women he considers unworthy of Christ's grace. Mom has a breakdown then confesses to the Reverend, Reverend punishes mom, and son pays for his sins. classic serial killer fashion, share a bit more mutual attraction than the average family bond. The picture doesn't develop it, but a dash of incest The film opens with shots of a terrified young woman in a mini skirt fleeing for her life along a riverbank, interspersed with scenes of a Brethren baptism service in full swing complete with gospel-style music and the congregation working itself into a religious frenzy. The girl is finally cornered by her unseen pursuer, strangled, stripped naked and thrown into the river at the same time as a boy is symbolically submerged during the baptism service. This cookie, set by YouTube, registers a unique ID to store data on what videos from YouTube the user has seen.solitude has destroyed Kenny's perspective on normality, with his need to spread the good word turned into serial killing, unable to deal with the sin Widow Birdy Wemys has become a devoted member of a fundamentalist fire-and-brimstone religious sect called "the Brethren", led by the charismatic Minister. Birdy has turned her sizeable home over to the Brethren for use as a church and a recruiting ground, and her son Kenny has also fallen under their spell. Kenny is a troubled individual, dominated by his overbearing mother, introverted and socially inept. He has taken the teachings of the Minister to heart, and feels repulsed by what he sees as sin, lust and temptation being openly flaunted by the young women he sees as he goes about his daily business. Also included is a booklet with two essays about the film. Jon Dear’s The Fiend and the Flesh examines some the possible inspirations for the film in real life cases of crime and religious cults. Andrew Graves’ UK Grime Scene attempts to contextualise Brethren’s place in the world of 1970s British horror. The always erudite Flipside maestro Vic Pratt contributes an excellent video overview on Hartford-Davis’ career and the film itself in the One Moment in Time (23 minutes). Film historian Melanie Williams offers a pleasing overview of Ann Todd’s career in the A Woman on A Mission (17 minutes). An original cinema trailer and a comparison of the UK cinema and uncut international versions of the film round up the extras.

This listing is for the standard edition Blu-ray/DVD combo. The limited edition slipcover (designed by Earl Kess) was limited to 1,500 units and is sold out. The two versions are identical, aside from the slipcover. Kenny descends into a frenzy of killing. One day at the pool, he is outraged when a young woman removes her bikini top and later follows her home to exact retribution for her Godless ways. While on his nocturnal beat he stumbles across a prostitute servicing a client, and she too is brutally despatched. Naked female bodies turn up across London in bizarre circumstances, dropping out of a cement mixer or dangling from a meat hook. The following scene where Quinlan's body is discovered in cement, is different in the two versions. The BBC version represents this scene with two shots of nudity (the actress obviously found it hard to hold her breath). The Derann version represents it with an odd, (still photograph?) close-up on the girl's face. Religious fury is slowly unfurled in 1972's "Beware My Brethren" (aka "The Fiend"), a British production that's endeavoring to wind itself up with The Fiend as originally released runs for 98 minutes, but an edited version of 87 minutes (removing most of its more graphic content) was produced for the American market. The film was released on DVD in 2005; however the DVD uses the cut version.church and a citywide sprint from Kenny's latest victim, generating some tension as death draws near. It's a weird opening, but sadly, it's the last damnation just don't have the punch they should, with most of "Beware My Brethren" coming across as a television movie that's occasionally